Socialist Realism and The Danger Of Thinking


Tamara and I went to see the Revolution: Russian Art 1917-1932 exhibition at the Royal Academy. We learned that Lenin viewed culture as a stepping stone to the Communist State. When that was achieved, art would have no function and it would be removed ‘snip, snip’ as he described it.

Stalin allowed only Socialist Realism in art. That is art that could be understood by the most uneducated of workers.

The narrator described how Stalin disliked Avante Garde art because its message was unclear.

And suddenly I understood it. Art that has a message that is unclear requires that the viewer makes an attempt to understand it. The viewer has to think – and that is what Stalin did not want. Because of course, once people think, they are wild cards – unfathomable and unreachable.

And of course I understood why the Nazis banned what they described as decadent art – for the same reason. Previously I had thought it was because its themes were racy or against the stereotype of the Germanic ideal. But the reason was more basic; that people might think. And thinking carries all kinds of dangers.

Poster For Sale

We saw a poster from the exhibition for sale. The image at the top of this post is a snippet from the poster. The full image shows that giant carrying a red banner, marching inexorably towards Revolution while the masses march and run to defeat the Bourgoisie, the Church, the old State.

We were both attracted to the graphic of the image but we both also thought that the violent scene was one we didn’t want to live with. We came together at one point to talk about buying the poster and it struck me how wonderful it was that we had both independently concluded that we didn’t want to buy it.


This article originally published on NoMorePencils under the same title.

Lioness

This a photo I took on the 22nd June 2011. I know that was the date because the EXIF data records the date of the photo.

I then manipulated the image and the first thing I did was to stretch the image vertically to overcome the flattening effect of the lens I used and the particular angle at which I had shot it.

I think the shape of the lioness’s head in the second image is more flattering to the animal, but I guess that is in the eye of the beholder, and the lioness may not agree.

Cambridge In The Mist

When I looked out of the window this morning, the trees were indistinct in the morning mist. So I walked down towards the river and saw this man crossing the green.


And here are a few other photos of Cambridge.

In case you missed it, you can read more about the Backs – the strip behind the Cambridge University colleges in an earlier post about Trinity Hall