All About Lens Apertures

Jillian from Jills Scene wondered whether I would do some how-to posts on photography basics like aperture settings, exposure, shutter speed, and how to get the best out of a zoom lens.

So here is the first of the how-tos – and it’s all about apertures.

Lenses, Apertures, Irises, Blades, and everything else

Built into a lens is a set of overlapping blades that can be opened up or closed down to make the ‘hole’ or iris in the middle of the lens bigger or smaller.


Even in the earliest days of photography, camera makers had worked out a simple way for photographers to be able to change the aperture in the lens.

The photographer would make the aperture bigger or smaller by twisting a ring on the outside of the lens. Twist one way to make the blades open up so the aperture gets bigger and twist the other way to make it smaller.


And it is such a good system that it is still used today.

True, the lenses in many modern cameras are powered by tiny motors so the photographer can just press a button to change the aperture electro-mechanically.

But it’s still the same principle – move the blades in or out to make iris in the lens bigger or smaller to let more or less light in.

By the way, one thing that separates a good lens from a so-so one is how many blades there are in it.

More blades means the more nearly circular the aperture is – and that means the clearer the image is that is focussed onto the film or digital sensor.

Imagine a lens with just three blades. The aperture would be like a curved triangle and light would spill and scatter and reflect off the edges of the blades.

Correct Exposure

You look at a scene and press the shutter. The shutter opens and lets the light through the lens and captures the scene on a piece of film or a digital sensor in the camera.

To get the exposure right, the camera needs just enough light and not too much for the scene being photographed.

Exposure is a combination of the size of the aperture and shutter speed. You can adjust the shutter speed and aperture by making one bigger and the other one smaller and it will give the same exposure.

For example, a one second exposure and an aperture open a certain amount is the same as two seconds of exposure and the aperture open half as much.

And that leads to the next clever thing about lens design that’s been around almost since the beginning of photography, and that’s f-stops.

What The f-Stop

If the blades on a lens opened and closed continuously with no intervals, then photographers would have no indication of how much more open or closed a lens was as they turned the dial.

So right from the early days of photography, lens makers designed lenses with intervals, or click stops. As you turn the dial, the blades open one click at a time. And each click opens or closes the aperture by a specific amount. Some lenses have clicks for every full ‘stop’. That means that each click opens or closes the lens by a factor of two.

Here’s an example. Let’s say the lens is wide open at its maximum aperture. And let’s say it has six ‘clicks’ to get to its minimum aperture.

Then the amount of light getting in after one click will be half the amount with the lens wide open. Another click and it’s halved again. Another click, halved again – and so on.

And that makes it very handy for adjusting the shutter speed and the aperture to keep the same exposure because you can double the shutter speed and halve the aperture. Or halve the shutter speed and double the aperture.

And so on.

The question is, when and why do photographers want to use these different combinations of shutter speed and aperture.

That deservers a post of its own to fully explain, but let’s just highlight a few of the more obvious facts.

In low light, photographers need every bit of light entering the lens that they can get, so that means a large aperture.

Of course, they could choose a slower shutter speed, but maybe there isn’t a slow enough shutter speed in the camera. And there’s another problem, which is that with a slow shutter speed there is more risk of a blurred image because of camera shake.

Camera shake just means that the photographer can’t hold the camera steady while the shutter is open.

And in bright light there might simply be too much light entering the lens if it is at maximum aperture.

Of course, you could choose a faster shutter speed. But if you have reached the fastest shutter speed (say 1/8000th of a second) and that’s the fastest shutter speed in the camera then you need to stop down the lens to let in less light.

Next time I’ll talk about more about f-stops and aperture, and about depth of field. Knowing about depth of field is a huge help in planning photographs and having them come out like you imagine.


  1. You explain beautifully!


    1. That means a lot to me. Thank you.


  2. Jill's Scene says:

    Hi David, Thank-you so much for linking to my blog. You post is very helpful. Now I know how the lens works – or at least the relationship between the aperture and the blades. I think I understand the principle of exposure, the operative word being think. I’ve noticed that if I get this wrong, it’s pretty difficult to correct. (I suppose it’s possible with sophisticated editing equipment) I really am a beginner. I’m still at the stage of learning to read the information that comes with each image. I’d wondered why the number beside the small f changed. Now I know!!


  3. I really need to sit with my new camera and have a look at this in more detail. This is a great explanation – very clear and simple. I’m looking forward to reading the next post now. Thanks David.


    1. Thank you. I am very glad you found it understandable. That gives me the impetus to keep going 🙂


  4. When I finally break down and buy that camera – you’ll be right there with me as I snap each photo.
    Once again, you teach clearly and I’ve got you bookmarked David. Thanks!


    1. Great to hear. How’s the frozen North at this time?


  5. Very well explained, and I’m really really looking forward to next post. Aperture, I had pretty much grasped, but I’ve never used the S on the dial. Nowadays I shoot in M[anual] most of the time, where I have those little bars in the viewfinder — they are really helpful! 🙂 But I used to be able to shoot, say, cars, where it looked like the background was moving and the car was sharp, or the other way around.


    1. Interesting that you shoot manual. I shoot Aperture Priority nearly all the time, and use the exposure compensation button if I think the camera is not going to be able to read the scene correctly.

      I had a Nikon film camera – an Fm2n – that only had manual mode. And of course older cameras – I have a camera my wife calls the bear camera. I’ll post a shot and you’ll see why – that is manual only and no light meter.

      The widest aperture on my fastest lenses is f1.8 and on my Fuji it is f2.

      Have you seen those monster lenses with maximum apertures of wider than f1.0 ?


      1. When I started, I only shot in A for the longest time. Don’t really know why that changed. I’ve seen those lenses online. My 50mm prime lens is f2.8 thats the widest I have. Would love to have a good macro lens, but that will have to wait now, for a while 🙂


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